Contemporary articles citing Goffman E (1967) Interaction Ritual

concept, order, action, others, would, theories, first, contemporary, context, goffman

DiCicco-Bloom, Benjamin & David Gibson. 2010. "More Than a Game: Sociological Theory From the Theories of Games." Sociological Theory. 28:3 247-271.
Sociologists are fond of game metaphors. However, such metaphors rarely go beyond casual references to generic games. Yet games are little social systems, and each game offers a distinctive perspective on the relationship between rules and constraints, on the one side, and emergent order, on the other. In this article, we examine three games-chess, go, and (Texas hold `em) poker-for sociological insights into contested social arenas such as markets, warfare, politics, and the professions. We describe each game's rules and emergent properties, and then offer a brief theorization of the social world through the ``lens'' of that game. Then we show how a study of the three games advances the sociology of strategy by enriching ideas about skill, position, and strategic dilemma.

Scott, Susie & Charles Thorpe. 2006. "The Sociological Imagination of R. D. Laing." Sociological Theory. 24:4 331-352. Link
The work of psychiatrist R. D. Laing deserves recognition as a key contribution to sociological theory, in dialogue with the interactionist and interpretivist sociological traditions. Laing encourages us to identify meaningful social action in what would otherwise appear to be nonsocial phenomena. His interpretation of schizophrenia as a rational strategy of withdrawal reminds us of the threat that others can pose to the self and how social relations are implicated in even the most ``private'' and ``internal'' of experiences. He developed a far-reaching critical theory of the self in modern society, which challenges the medicalization and biochemical reduction of human problems. Using the case of shyness as an example, the article seeks to demonstrate the importance of Laing's theories for examining the fragility of the self in relation to contemporary social order.

Ryan, Dan. 2006. "Getting the Word Out: Notes on the Social Organization of Notification." Sociological Theory. 24:3 228-254. Link
Even when the timing, sequence, and manner of notification are instrumentally inconsequential, how one conveys information affects the meaning of the telling. This article introduces the concepts of ``notification norms'' and the ``information order,'' showing how the former constrain the behavior of nodes in social networks as well as enabling manipulation of the relationships that comprise those networks. ``Notification'' is defined as information transmission motivated by role obligations and notification norms as social rules that govern such transmission. These rules produce patterns of information dissemination different from what individual volition would yield and from what technology makes possible. The capacity to wield a socially sanctioned repertoire of notification rules is a learned competence. Competent notifiers must also understand the local epistemological ecology-the distribution and trajectory of information, as well as the projects, concerns, and priorities of one's fellows. This study of notification introduces the broader concept of ``the information order'' and is a first step in the project of a sociology of information.

Alexander, JC. 2004. "Cultural Pragmatics: Social Performance Between Ritual and Strategy." Sociological Theory. 22:4 527-573. Link
Front its very beginnings, the social study of culture has been polarized between structuralist theories that treat meaning as a text and investigate the patterning that provides relative autonomy and pragmatist theories that treat meaning as emerging from the contingencies of individual and collective action-so-called practices-and that analyze cultural patterns as reflections of power and material interest. In this article, I present a theory of cultural pragmatics that transcends this division, bringing meaning structures, contingency, power, and materiality together in a new way. My argument is that the materiality of practices should be replaced by the more multidimensional concept Of performances. Drawing on the new field of performance studies, cultural pragmatics demonstrates how social performances, whether individual or collective, can be analogized systematically to theatrical ones. After defining the elements of social performance, I suggest that these elements have become ``de-fased'' as societies have become more complex. Performances are successful only insofar as they can ``re-fuse'' these increasingly disentangled elements. In a fused performance, audiences identify with actors, and cultural effective mise-en-scene. Performances fail when this scripts achieve verisimilitude through rethinking process is incomplete: the elements of performance remain, apart, and social action seems inauthentic and artificial, failing to persuade. Refusion, by contrast, allows actors to communicate the meanings of their actions successfully and thus to pursue their interests effectively.

Dalton, B. 2004. "Creativity, Habit, and the Social Products of Creative Action: Revising Joas, Incorporating Bourdieu." Sociological Theory. 22:4 603-622. Link
Hans Joas's The Creativity of Action (1996) posits that conceiving of all action as fundamentally creative would overcome problems inherent in rational and normative theories of action and would provide an alternative basis for action-based theories of macrosociological phenomena. Joas conceives (of creativity as a response to the frustration of ``prereflective aspirations,'' which necessitates innovative adjustment to reestablish habitual intentions. This conceptualization creates an unsupportable duality between habitual action and creativity that neglects other possible sources of creative action, including habit itself. Combining strengths from Bourdiell's concept of habitus, creativity can be redefined as the necessary adaption of habitual practices to specific contexts of action. Creative action continually introduces novel possibilities in practical action and provokes a variety of social responses to its products. This revised concept of creativity overcomes the dichotomy presented by Joas, identifies a microsocial source of innovation in creative action, and calls attention to patterns of creative authority in society at large.

Hallett, T. 2003. "Symbolic Power and Organizational Culture." Sociological Theory. 21:2 128-149. Link
With the recent wave of corporate scandals, organizational culture has regained relevance in politics and the media, However, to acquire enduring utility, the concept needs an overhaul to overcome the weaknesses of earlier approaches. As such, this paper reconceptualizes organizational culture as a negotiated order (Strauss 1978) that emerges through interactions between participants, an order influenced by those with the symbolic power to define the situation. I stress the complementary contributions of theorists of,practice (Bourdieu and Swidler) and theorists of interaction (Goffman and Strauss), building upward from practice into interaction, symbolic power, and the negotiated order. Using data from initial reports on the fall of Arthur Andersen and Co., I compare this symbolic power approach to other approaches (culture as subjective beliefs and values or as context/public meaning). The symbolic power model has five virtues: an empirically observable object of study; the capacity to explain conflict and integration; the ability to explain stability and change; causal efficacy; and links between the micro-, meso-, and macrolevels of analysis. Though this paper focuses on organizational culture, the symbolic power model provides theoretical leverage for understanding many situated contexts.

Brint, S. 2001. "Gemeinschaft Revisited: a Critique and Reconstruction of the Community Concept." Sociological Theory. 19:1 1-23. Link
Community remains a potent symbol and aspiration in political and intellectual life. However, it has largely passed out of sociological analysis. The paper shows why this has occurred, and it develops a new typology that can make the concept useful again in sociology: The neu typology is based on identifying structurally distinct subtypes of community using a small number of partitioning variables. The first partition is defined by the ultimate context of interaction; the second by the primary motivation for interaction; the third by rates of interaction and location of members; and the fourth by the amount of face-to-face as opposed ro computer-mediated interaction. This small number of partitioning variables yields eight major subtypes of community. The paper shows how and why these major subtypes are related to important variations in the behavioral and organizational outcomes of community. The paper also seeks to resolve some disagreements between classical liberalism and communitarians. It shows that only a few of the major subtypes of community are likely to be as illiberal and intolerant as the selective imagery of classical liberals asserts, while at the same time only a few are prone to generate as much fraternalism and equity as the selective imagery of communitarians suggests. The paper concludes by discussing the forms of community that are best suited to the modern world.

Gibson, DR. 2000. "Seizing the Moment: the Problem of Conversational Agency." Sociological Theory. 18:3 368-382. Link
In conversation, actors face constraints on when they can speak, whom they can address, what they can say, and what they carr safely expect from others by way of cooperation. This is the backdrop against which people pursue their idiosyncratic interests and objectives, success at which constitutes conversational agency. In principle, agency is made possible by the ``looseness'' of conversational constraints. This does not create a clear path for the advancement of personal ends, however, since options are always limited by the context, and success is always contingent upon the cooperation of others. Ultimately, the most agentic people are those who readily exploit imperfect options though this means abandoning the inflexible pursuit of pre-conceived objectives.

Collins, R. 2000. "Situational Stratification: a Micro-macro Theory of Inequality." Sociological Theory. 18:1 17-43. Link

Scheff, TJ. 2000. "Shame and the Social Bond: a Sociological Theory." Sociological Theory. 18:1 84-99. Link
Emotion has long been recognized in sociology as crucially important, but most references to it are generalized and vague. In this essay, I nominate shame, specifically, as the premier social emotion. First I review the individualized treatment of shame in psychoanalysis and psychology, and the absence of social context. Then I consider the contributions to the social dimensions of shame by six sociologists (Georg Simmel, Charles Cooley Norbert Elias, Richard Sennett, Helen Lynd, Erving Goffman) and a psychologist/psychoanalyst (Helen Lewis). I show that Cooley and Lynd, particularly, mane contributions to a theory of shame and the social bond Lewis's idea that shame arises from threats to the bond integrates the contributions of all six sociologists, and points to toward future research on emotion, conflict, and alienation/integration.

Cahill, SE. 1998. "Toward a Sociology of the Person." Sociological Theory. 16:2 131-148. Link
This paper proposes a sociology of the person that focuses upon the socially defined, publicly visible beings of intersubjective experience. I argue that the sociology of the person proposed by Durkheim and Mauss is more accurately described as a sociology of institutions of the person and neglects both folk or ethnopsychologies of personhood and the international production of persons. I draw upon the work of Goffman to develop a sociology of the person concerned with means, processes, and relations of person production. I also propose that the work of Goffman, Foucault, and others provides insights into the contemporary technology of person production and into how its control and use affects relations of person production. I conclude with a brief outline of the theoretical connections among institutions of the person, folk psychologies, the social constitution of the person, and the prospect of a distinctively sociological psychology.

Roth, AL. 1995. "`'men Wearing Masks'': Issues of Description in the Analysis of Ritual." Sociological Theory. 13:3 301-327. Link
Since Durkheim ([1912] 1965), the concept of ritual has held a privileged position in studies of social life because investigators recurrently have treated it as a source of insight into core issues of human sociality, such as the maintenance of social order Consequently, studies of ritual have typically focused on rituals' function(s), and, specifically whether ritual begets social integration or fragmentation. In this frame, students of ritual have tended to ignore other equally fundamental issues, including (1) how actions, or courses of action, constitute a ritual, and (2) whether ritual is best understood as an aspect of all social action or a specific type of it. Drawing on Durkheim's overlooked contemporary, Van Gennep ([1908] 1960), I argue that analyses of ritual must describe how participants enact an occasion as ritual through distinctive activities and sequences of these. Analysts of ritual must attempt to ground the relevance of their descriptions in the participants' demonstrable orientations, an undertaking with move general implications for the study of social action.